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Chaos erupted in Ecuador yesterday as members of the police and military protested budget cuts proposed by the government. 150 troops occupied Quito (Ecuador’s capital) airport to contest the move made by Congress, but it was when President Correa became involved that things truly got ugly. At an address to the disgruntled police and troops outside the Presidential Palace, a volley of tear gas canisters were fired at the President’s entourage, and members of the police were caught on video attempting to assault him. Clearly struggling to breathe from behind his gas mask, the President was bundled from the scene to a nearby hospital, where he was treated for tear gas inhalation. He immediately responded to what many have commented on as the early tremors of a coup attempt:
PRES. RAFAEL CORREA (VOICEOVER TRANSLATION): If you want to kill the president, here I am. Kill me. Kill me if you’re not happy. Kill me if you’re brave. But we will continue with one policy, one of justice, dignity, and we will not take one step backwards.
Thankfully, Ecuador didn’t follow Honduras’s lead (for more on the 2010 military coup that ousted President Zelaya, visit the Honduras page) as one of the top military chiefs has come out in defense of Correa. Let’s hope he doesn’t go the same way as Chilean Army Chief of Staff Rene Schneider, who was murdered in a bungled kidnapping attempt co-sponsored by the CIA for standing behind Chilean President Salvador Allende. His death led the way for Augusto Pinochet to take the reins and lead the now infamous coup that plunged Chile into a military dictatorship. To read that story in comics form, click here. For an interesting debate on the US’s level of involvement, read this post from Foreign Affairs.
Courtesy of SOAW (School of the Americas Watch):
In his radio address the President did talk about this being a Coup attempt lead by the Police, Military close to an ex-President, but also by the Opposition and the ex-President Lucio Gutierrez. He stated that there is an attempt to destabilize the democratic citizen revolution that has happened in Ecuador. At this moment, the pro-democracy movement is gathering in the thousands in the capital but in all the plazas across the country. There are also people marching to the hospital to protect the President.
For more on the story, check out Narco News’s coverage here.
In case you missed it, voting is still open for your favourite cover design of the four that I posted on Friday – scroll down to view them, then leave a comment or vote using this here link.
The School of the Americas comic is now in print as the full-colour centrefold (now then) of the latest issue of Presente!, the School of the Americas Watch newsletter. Here it is in all its tactile glory on my desk. Order your free copy and find out more about the SOAW here.
And in case you’ve had your head in the sand the last few days, or are an ardent global warming naysayer (not that there’s much of a difference, admittedly), spare a thought for the poor souls in Chile, who are reeling from one of the strongest earthquakes in recorded history that has destroyed 1.5 million homes and left 700 dead, with the toll expected to rise. It turns out that the strongest ever earthquake (a massive 9.5 on the Richter scale) also hit Chile, some 50 years ago, making it the go-to place for seismologists to conduct research. So thankfully, emergency procedures and containment plans for recovering from such a disaster were already in place and no doubt saved a large number of lives. More on this from the BBC here.
Naturally, comparisons have immediately been drawn between the devastation in Haiti and Chile. Despite Chile’s quake being 5 times stronger, the damage is considerably less than January’s quake, largely due not only to the fact that the epicentre of the Haitian quake was much closer to the surface, but also to the far more advanced construction of Chilean buildings (for reasons outlined above). Another point also worth bearing in mind is the rapid, efficient response of Chilean President Michele Bachelet to the disaster: she held off immediate foreign aid for fear of complications; ordered police to allow victims free access to essential supplies from supermarkets; and was soon offering minute-by-minute updates on the recovery efforts. A far cry from the debacle in Haiti, where international efforts were complicated by the US unilateral takeover of the main airport and subsequent diversion of non-US approved flights, plus the worrying number of US troops (reportedly around 10,000) who were deployed ‘for security purposes’. Surely emergency disaster relief is the UN’s chief role? So it would seem on their website.
Saddest of all is the ‘satire’ of Pat Robertson’s now legendary diatribe against Haiti, which some eager blogger cut and pasted to fit the latest Chilean disaster. Sadder still is that so many in the blogosphere fell for it (here’s the full summary), taking it as a real report. Staying with Chile, below is a comic from the archive that I put together about the US involvement in the 1973 Chilean coup that ousted Salvador Allende. My thoughts, condolences and best wishes go out to those affected in Chile.
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A request to new visitors to the site: (welcome!) on the right hand toolbar is a chipin widget that I’m using to get pre-orders for a hard copy, full-colour 32p comic about US intervention in central america – featuring both parts of the Honduran Coup: A Graphic History as published in Alternet and the Huffington Post. Read more about it on the chipin page I’ve created here.
For $5 (plus $2 shipping in the US and $4 overseas) you’ll get a copy of the comic as well as your name printed in the back, along with all the other donors to the project. We’re already well on the way (see the total) and payment is via paypal so totally safe. Be part of a group project to help raise awareness and produce an educational tool that will have a lasting impact. And please use the buttons below to share this link around – facebook, twitter, digg – any help is appreciated.
Follow this link to read several of my short story comics that have been published by Bash magazine over the last year – and compare the Chile piece with the Beggars story to see how much progress I’ve made. A big thanks to Jason Lutes for his invaluable crit advice.
Sadly Bash has had to shut up shop in the wake of print journalism generally dying, so pay your respects and visit the site today!
The last page of the prologue seals the perhaps predictable fate of Rene Schneider as part of a botched kidnapping attempt. Almost 40 years later there is a case still pending as Schneider’s family attempt to bring Kissinger to justice for his part in Schneider’s murder. Review the court documents here or find a more comprehensive overview here.
Many thanks to Adam Johnson for the pointer about spent Uzi rounds (and everything else!) and a hearty morale-boosting salute to the Stanford Graphic Novel Project Team, who are sweating away on their congolese graphic novel as I tap. The newest edition of my minicomic is almost done now so I’ll post snippets of it soon – and of course, feel free to get your orders in via the store page above!
So much for my regular post promises – but it’s been worth it to focus on the first splash panel in a while. For those new to the site, this is the 2nd page of the prologue, featuring Chilean Army Commander Rene Schneider. As you can tell, things aren’t about to end well.
All sorts of other gigs on at the mo, likc illos for Profile books in the UK and the Stanford Graphic Novel project, now at the 30 inked page mark. In other news, my now ancient piece in Julia Wertz’s missed connection anthology (published by Random House) has finally seen the light of day!
For regular readers of this strip, pretend that the next three pages come before everything else you’ve read. I won’t give the game away about what happens – but the Army General in question is Rene Schneider
so feel free to follow that link and spoil the surprise for yourselves. And welcome to new readers – you’ve joined at the perfect time. I’ll post the correct page order soon once more of the strip is up.
I’m back in Cali after an xmas jaunt to the UK, hence the lack of recent updates, and it’s all kicking off. I’ve just finished next month’s Bash piece on Nigerian beggars, and am putting to bed the latest issue of Archcomix, which contains all of my recent non-fictional work. The Chile strip will be picking back up now, so be sure to stay tuned. I’m aiming to get it all done and dusted by Jan 28th. Fingers crossed.
I’ve joined the Stanford Graphic Novel Project as a TA of some description, where I’ll be contributing my artistic insights into what will be the follow-up to the highly successful Shake Girl graphic novel they made during last year’s class. Today’s assignement was a crit of Nick Abadzis’s Laika, which blew me away. Fantastic storytelling, great characters, excellent use of colour – well, why don’t you just read my 2 cents below:
For a story that is so tightly paced and heavily research-driven, there is a great looseness to the style of the book. Abadzis’s use of two techniques – drybrushing (using a paintbrush caked with dried ink to create a jagged, scratchy line) and drawing with a china marker (again, leaving a crayon-like mark) are both clearly visible on the cover and lend a real hand-crafted, impressionistic feel to the book. Both of these rely on being combined with colour to bring them to life, and the first sequence of Korolev’s escape from the Gulag shows just how crucial colorist Hilary Sycamore’s contribution to the book was. One subtle effect is the use of colour in the page background (in between panels) to reflect the change in temperature and mood – from the bleak black desperation of the first shot of Korolev, which gradually lightens with the presence of moon, until changing to normal white when he arrives at the inn. In a nice parallel, characters or backgrounds are reversed to their black and white negatives in moments of extreme emotion – such as p.14 when Korolev comes close to death, or p.143 when Yelena is told about Laika’s tragic fate.
Abadzis seems well aware of his own weaknesses, hence the scarcity of large panel close-ups on chracters’ faces – one such jarring example being the old lady’s face on p26. However, when he gives up on accurate representation and instead aims to convey raw emotion, the faces get really interesting – see Mikhail’s anger on p37 or his demagogic Dad’s on p.31. When he does go in for a close-up, Abadzis ramps up his use of blacks and the grease pencil, like p.14, 119, 137, although I think he’d have been better off preserving the consistency of his ‘less is more’ style for the sake of heightening the drama.
Certainly, page layouts carefully consider their setting – p11’s vertical panels to emphasize the starry sky and the expanse between Korolev and the moon; p82 horizontal format and rhythmic ‘to and fro’ contrast of Kudryavka and the technicians testing for G-force, and of course the dream sequences. But one original addition that crops up a few times is Adbadzis’s use of overlapping panels, which work as a full-stop/periods, overriding the authority of the page breaks to jump space/time: p.20’s change of scene from Antonina and Mishin’s chat to Korolev’s meeting with Krushchev; the p.38 jump from Mikhail being outside to his decision later that night to drown poor old Laika; or to show the time lapse in p.147 when Laika’s being operated on. He quickly builds up a visual vocabulary so that we know immediately that a circular, non-bordered panel is a window into Laika’s dream-state (p. 88).
I felt the book started strong, but lost some of its power in the build-up to the launch as it sacrificed its characters to the needs of the plot. The wordless episodes early on where the emphasis was on Kudryavka’s character as she experiences the world around her – foraging for food after surviving being dumped in the river, or experiencing zero gravity for the first time (p.91) – really stood out as we watched the dog’s personality come to the fore against a really rich, vivid background.
Above Panel from Laika by Nick Abadzis, courtesy of First Second Books
Apologies for the delay in getting this next page up – as you can see, there’s a lot more going on, panel-wise. This scene shows Hecksher and Atlee Phillips, both CIA operatives based in Santiago, as they report back to Langley/Washington the current plan of action and situation on the ground. Dissatisfaction clearly arose from the diplomatic ‘Track 1’ route that Atlee Phillips mentions here, which refers to the non-confrontational means of preventing Allende’s inauguration as President. DCI Helms, AP’s boss back at the CIA, had proposed this two-track path under the ominous sounding project FUBELT, but as you will see in the next page, a far more harebrained scheme of direct action was already on the cards…
You’ll notice the title has changed too. This is to reflect the change of focus onto what happened before Allende’s inauguration as opposed to the now infamous coup that culminated in his murder.
Start at the beginning of this comic by clicking on the right hand nav bar link.The action has now moved to Chile and the CIA station where Field Agents Henry Hecksher and David Atlee Phillips are directing the CIA’s misinformation campaign against Allende.
