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With the announcement of any new project, you always get the predictable “been there, done that” crowd. Not that graphic journalism’s ever reared its inky head in Nepal (to my knowledge) for that matter. If you’re looking for a link to the Honduran comic, then voila.
Above is a wee taste of my latest collaboration to be published by Harper Collins: Man Vs Markets, by Paddy Hirsch. Its honourable goal is to explain the ins and outs of the financial system that we’re so used to seeing splashed over the front pages. I did the explainer doodles and cover art. Look inside the book here or order your very own copy here.
The latest Archcomix Newsletters is teetering towards completion, so expect that in your inboxes first thing next week. Not signed up? Click here to never miss another monthly missive again.
This month sees me, Susie Cagle, Erin Polgreen and Wendy MacNaughton discussing comics journalism at the Online News Association Annual Conference in San Francisco on Friday the 21st. More on the dramatically named panel (“Blow Up the Funny Pages”) here.
At last! The whole education reform comic Adam Bessie and I did for Truthout has finally aired. Check out part 1, part 2 and now, part 3. If you’ve enjoyed them then: share/tweet/do all the social stuff AND chipin in via the widget below to help get us a print run off the ground.
Like a latter day Jimi Hendrix (swapping a laptop for a left-handed guitar), I had a great being part of the panel and keynote events over the weekend at the Woodstock Digital Media Festival. Saturday morning’s panel, Telling [TRUE] Stories, saw myself and Annie Correal, Community Manager at Cowbird, talk about our work and the different perspectives of single author/crowdsourced authoring online frameworks, moderated by Emily Bell, Director of the Tow Center for Digital Journalism at Columbia. The conversation really got going after our mini presentations, and the audience asked some great questions about monetizing (of course), audience demographics and the software behind it all.
During the afternoon I had the chance to talk to some of the other participants and discuss the pros/cons of mobile location apps, apple’s penchant for deliberate obsolescence and the future of long form storytelling, all against the verdant background of Vermont’s premier picture-perfect little sleepy town. Then that evening myself and three others (the digital media curator at NYC’s MoMA, the founder of Artfagcity art blog, and a technophile champion of the local fisheries) had the opportunity to wax lyrical about our respective fields for 20 mins before fielding questions over booze at Billings Farm afterwards. A wonderful chance to chat with like-minded new media folk and swap anecdotes about working with GIFs, the future of visual storytelling, and why latin america just cannot make it into the news these days (bar Mexico’s cartel war).
image courtesy of sukdith punjasthitkul
Here’s a preview from my latest comic on trafficking in the South Bay, out now in the latest edition of the San Francisco Public Press. I’ll post a link when it’s up online. Read their excellent coverage of bay area human trafficking here. In the meantime, ink and colour is being slung on the second part of the Education Reform Comic for Truthout. Here’s the first part in case you missed it.
This weekend I’m back in Vermont for the Woodstock Digital Media Festival, where I’ll be part of the “Telling [TRUE] Stories” panel tomorrow at 11:45. For a full list of my fellow new mediaphile participants, go here.
You at the back! Close that book and pay attention. My latest comic on education reform in the US and beyond is out now: click here to read it.
A sneak preview from my latest comic on education reform, out next week on Truthout.org featuring Milton Friedman. I’m currently in Moscow at an independent media conference run by the Eurasia foundation – follow my live tweets/sketches below or directly on twitter.
At least it is for my current assignment for the Stanford Medical School on the minutiae of cholesterol and heart-attack-related chicanery.
After finally reaching a breathing point after months-worth of deadlines (could be the eye of the storm, mind you) I finally took the chance to get back to some illustration work. Here’s the new cover of my soon-to-be-launched comic (co-written with Nikil Saval), Hard Hats. For more info, go to the Hard Hats page.
The past few weeks have been a veritable mini-golden age for comics journalism, as the slumbering behemoth that is the mainstream media slowly but surely wakes up to the storytelling potential that illustrated reportage affords. First up is the editorial cartoonist machine that is Matt Bors, who in addition to being the comics journalism editor over at Cartoon Movement, cranks out an inordinate number of editorial cartoons for the syndicates every week. This week he was honoured as a finalist for the Pullitzer, hot on the heels of his Herb Lock Prize. Next is another comics journalism standard bearer, Erin Polgreen, who in addition to being a keystone at the Media Consortium has recently been awarded a Women Entrepreneurs in Digital News Frontier Grant from the International Women’s Media Foundation to kick off her latest project, Symbolia – a soon-to-be-launched tablet magazine focusing on showcasing illustrated journalism. Susie Cagle, another member of the Graphic Journos collective, was honoured by the Society of Professional Journalists for her coverage of Occupy Oakland, and Josh Neufeld got a well-deserved Eisner nomination for his piece on the protests in Bahrain, Lines in the Sand. Editors, take note!
