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Cartoon Movement, the internet’s #1 platform for high quality political cartoons and comics journalism (and sister site of VJ movement) , is publishing my latest piece on the Sept 2007 shootings that occurred in Nisoor Square, Baghdad – there’s a little taster about it on their blog here. The piece will go up next wednesday, June 15th. In the run up to next week I’ll post some previews of the panels and give more of a sense of how the piece works, and the importance (not to mention the untapped potential) of incorporating interactivity into comics journalism pieces.
For now, let me break down the above screenshot, which is the main viewing area for the piece (which, incidentally, loads in its own window due to sizing constraints). The viewing area is comprised of 3 main parts: the timeline (corresponding to the 15 minutes that the incident took place over), which can be advanced by clicking on the play button, or dragged to a specific point); the background, which is comprised of a satellite picture of Nisoor Square together with an additional layer of brightly coloured icons (corresponding to the various people and vehicles involved in the incident) that move along their respective paths as the incident unfolds; and, of course, the panels, which appear as the user hovers over the said icons, providing an eyewitness account of the event from that specific perspective (the majority of which are taken from direct testimonies).
There’s nothing quite like the race to the end of term to catalyse a depth-charge of creativity. The past few weeks have been busier than normal as I’ve spent hours hunched over final cut and flash (as opposed to the drawing board and scanner), busily hashing out my first mini-interactive documentary site (produced with fellow Knight Madhu Acharya), on Bhutanese refugees and their integration into the Oakland community. The screenshot above gives you an idea of the homepage layout, which in the final published version allows you to choose different chapters of the story to explore. I’m currently tying up loading/streaming issues with the FLV files, but aside from that I think it’s good to go.
Now that I’ve got to grips with Final Cut and Flash, I can move to phase 2 of my project, namely combining video and audio within comics pages to give online readers an interactive multimedia comics experience as they explore news events. Looking back at the “to do” list I put up at the end of January, I’m pleased to say that I’ve hit all the goals:
I’ll next week with news of some future projects, as well as some previews of the above – including my first experiment with text animation in After Effects.
I can’t even remember the last time I posted so thank you my ever loyal web audience for hanging in there. I’ve just finished up teaching a 6-week comics course (2 classes a day, producing roughly 15 hand-drawn, inked and scanned 8-page minicomics every 10 days), the fruits of which (not to mention the labour) you can see below:
Subject-wise, we had (deep breath): evil pillows; talking dogs; mice catching live cheese; toxic gloop; a shelter for made-up creatures called ‘hubs’; a talking cat bent on taking over the world; meteors; robot beauty pageants; musclemen (of course); talking pillows
(obviously a pillow trend going around 5-6th graders); time machines;
vampires; talking muffins; fratricidal ghosts; talking flying fish;
mysterious packages containing penguins; cute campers who have to
butcher a bear to survive out in the woods; twin weiner dogs; a halo
take-off; insurance clerks; talking toast; a water droplet and a
transvestite called Gerald. That’s all off the top of my head.
Whilst that’s been going on we’ve also -almost-managed to put to bed the Stanford Graphic Novel’s latest oeuvre. An amazing graphic novel set in one of the DR Congo’s National parks, it’s some 200 odd pages and is a testament to the drive, passion and commitment of everyone involved that it was first started back in January. Here’s a sneak preview of some of the revisions that are currently being frantically re-inked:
Just when you thought I was going to take a break (or maybe that’s just my loving and tolerant wife), I’ve also turned my hand to animation, which is timely given the fact that as of tomorrow I’ll be teaching 3 weeks of Flash animation at San Jose’s tech museum. I’ll post my latest cartoon below, fingers crossed it works. Thanks to Queen for providing the soundtrack. I’ve also stuck some new watercolours up in the Gallery section for those of you interested in seeing my new colourful direction – quite how I can embrace that whilst not tripling how long it takes me to finish a page is, as yet, beyond me. Feel free to send in any suggestions.
Lastly, but by no means leastly, the hardhats piece continues to trundle along like the inky juggernaut it is – up to p.18 at the last count, though I’m reluctant to post any more pages up given the zany idea of actually making some money by having it published. News of that will be forthcoming, so stay tuned.
Here’s that cartoon I promised:
