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Graphic Journalism by Dan Archer

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Hanging out with Nick Abadzis and vote on the Honduran coup comic cover

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img_0406Yesterday I was lucky enough to spend the day with visiting graphic novelist Nick Abadzis, creator of the Eisner award-winning Laika. He visited the Stanford Graphic Novel class on Weds, offering some great advice on our atomic bomb story and how to get your work seen by publishers. Later that night he then gave a fascinating talk on his research process and the steps he took from the original idea behind Laika all the way through to finished artwork – including a visit to Moscow to get a feel for his backdrop.  Yesterday he, Adam Johnson and I went down to Cal Poly in San Luis Obispo, where Nick offered similar wisdom to the students there, as well as signing the odd dozen copies, each with a meticulously crafted (not to mention lightning fast) dedicated illustration. Here’s the man at work – note the blurred brushpen. A true cartooning gent and top dog (groan). Thanks Nick!

And now, the chance for you to get involved in the creative process of Honduran Coup comic. Below are 4 potential designs for the cover. Have a look at the four different options below and then register your vote for the favourite one using the poll I’ve created here. I’ll announce the results next week. This is a first-time experiment for me, so depending on how many votes come in I’ll expand more interactivity into this site in the coming months. Anyway, back to the voting options:

Number 1                                                               Number 2

cover1

cover2

Number 3                                                    Number 4

cover3cover4

I’m leaning towards number 1 at the moment, which features Zelaya (Z), Micheletti (M), Clinton (C), Romero (R), riot police and Zelaya supporters in a line, outside the Brazilian Embassy and United Fruit factory (for its historical connection to US interests in Central America). Cover 2 features a line of said riot police, no.3  focuses on the reflection of supporters in the protective visor of a riot police officer (my second choice) and no.4 is more of a boxing showdown-style setup with Zelaya facing off with Micheletti, leaving the rest of the ensemble cast in the background.

Comments

  1. My opinion: #3 and then #1. I would be more apt to pick up the #3 cover to see what was inside.

  2. I like both close-ups since they help dramatize, but No3 hits you in the face with what you know you are going to see inside… is JUNTA dripping… while No4 is like focusing more on Zelaya – Micheletti politic stalemate…

    Cheers

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