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Panel from "The Insurgent" by Isaac Goodhart
I stumbled across this gem of an online comics anthology (for sample, see left) put together by students from NYC’s School of Visual Arts under the watchful eye of Nick Bertozzi. The link is to the Act-i-vate website (a great website for free top-notch webcomics) and shows the end result of a project to visually adapt US troops’ combat testimonies during their recent tours in Iraq.
We’ve also published an extract of the first story from Borderland over at borderlandcomics.com, which I’ve added to the ‘Trafficking” page. Other updates include the Honduran Coup: A Graphic History video on the “Honduras” page, so please watch, pass on and leave your comments.
I’m also delighted to announce that I’ll have a comic published in the seminal activist art anthology, World War 3 Illustrated, which should be out later on in the year. It’ll be an extract from an oldie from the 2007 archive chronicling the scandal around Burger King’s exploitation of undocumented central American migrant workers in Florida’s tomato fields. You can read it over at the US Politics page, now with a handy drop-down menu.
More wordless panels for you, plus a shout to MTV Exit for sticking a link to our Borderland Comics site on their Facebook page. Also, be sure to check out daily developments on my upcoming Knight Journalism Fellowship via the Knight Project tab above. Plus you can now access individual comics via a handy drop-down menu by hovering over the said tabs – checkout the US Foreign Policy one to see what I’m talking about. Eagle-eyed Archcomix visitors will notice the new newsletter field on the left – add your email address and stay abreast of all future Archcomix rumblings. Big thanks to the tireless work of Stanford CS Senior Alex Easton for his help in making the said changes.
New here? Go to the start of the wordless comic above here. You can order a copy of my latest comic on human trafficking here – now at 18% of our total goal, so dig deep in those pockets and help us raise awareness of the plight of human trafficking victims. Thanks to those who already have.
As the Borderland comics kickstarter fund (see right) chugs along, we’re getting contacted by NGOs around the world who want to share and coordinate efforts to combat human trafficking. One of these was Oasis Global, who are behind the Stop the Traffik campaign. Click here to watch their intro video and learn how human trafficking might even affect how your favourite chocolate bar was made – apparently almost half the world’s chocolate is grown in Cote D’Ivoire. In the words of Steve Chalke, Stop the Traffik’s Founder and UN Special Advisor for Community Action against Human Trafficking:
“When Cadbury’s and Hershey and Mars and Lindt and Nestle and all of the others produce chocolate that is traffic-free, you can be sure that they will be the first to put a little mark on those bars telling us that. If a chocolate bar doesn’t say it’s traffic-free, it’s just not – it’s as simple as that”
In other news, the sketchbook studies on my Flickr page continue, this time with a Hardhats focus as I gear up for some enormous crowd scenes in Part 2 of my upcoming graphic novel, Hardhats. More on the Hardhats page here.
New here? Go to the start of the comic here. You can order a copy of my latest comic on human trafficking here. Scroll down for an update on what’s new in the Archcomix universe below the fold.
Meeting Eric Drooker last week got me thinking back to my experiments with wordless comics, which peaked with the above piece for Bash magazine in Dec 2008. So much was being said about the then imminent financial crisis, I thought a wordless approach with all of its symbolic ambiguities was a novel way of pointing the metaphorical finger at the Credit Default Swapping troublemakers. Scroll down for lots of updates below the fold, and don’t forget to cast your cover design vote for my Borderland comic – voting closes in a few hours.
As I near the end of putting Borderland together (my human trafficking comic, for those of you new around here), I’ve been debating various different cover designs, some of which I’ve pencilled at full size only to find that they lack the impact (emotional or visual) I’m looking for. So in keeping with the Honduran coup comic, I’m throwing it open to you: peruse the options below and choose your favourite in the poll underneath. I’ll reveal the winner in a few days, as the cover is due by the middle of next week.
1. Half realistic portrait of one of the victims, the other half filled in with a map of Eastern Europe/Ukraine against a black background.
Cover 2: Similar to the Honduran Coup cover: reflections of imminent danger in the close-up eye of one of the victims
Cover 3: Understated. Assorted items presumably belonging to a victim - passport, identity papers, etc with "Borderland" rubber-stamped on top
Cover 4: Scattered ID papers belonging to the 7 different victims whose stories comprise the comic. A bit cluttered perhaps.
Cover 5: The victims walking towards us down a typical Ukraine high street with Kiev landmarks in the background. Subtle nods to the locations mentioned in the stories (nightclub signs, bakery etc).
Cover 6: The victims in the foreground, overshadowed by the different buildings that constitute their homes/work/prisons in the comic
cover 7: A beaten-up, weathered Ukrainian passport (in dark blue), which you open up to see the contents laid out like a passport (photo ID, DOB etc) Cons: Passport cover design alone not enough to grab a reader's attention.
cover 8: my favourite (no bias). The black is a Ukrainian passport, with assorted mocked-up papers/ID photo stapled over the top, as if we were the case worker for one of the victims.
Harvey Pekar, the legendary underground comics writer and creator of the American Splendor series, was found dead at his Cleveland home earlier today. Pekar was an uncompromising champion of the American everyman, most famously in his tirades on the David Letterman show (see clip, left) and candid disregard for celebritydom and its trappings. I was lucky enough to collaborate with Harvey earlier this year on one of his final projects, a history of Yiddish literature and culture, which will be out in the Fall. Go to the social histories page for more extracts of Yiddishland, and RIP one of comics’ true greats.
Update: Above are sample panels from Yiddishland. As you may have guessed, the site is currently undergoing a redesign and I’m still ironing out some kinks, with the help of Stanford CS student Alex Easton. Thanks Alex!
Was what Nikil and I were treated to on Friday night, at Studio 40 in the mission. Both Eric Drooker and Seth Tobocman are comics art activists who have been in the game for more than a few decades now. Drooker has a long history of doing beautiful painted covers for the New Yorker (“undermining the mainstream”, as he calls it) while Tobocman is a self-professed radical who wears his politics very much on his sleeve.
Here’s a clip to give you a sense of what his performance was like.
Tobocman is also one of the founders of the political comics anthology World War 3 Illustrated, which will hopefully be running one of my pieces in their next issue.
His latest book, Understanding the Crash, uses his aggressive stenciling and arresting visuals to explain the economic flatline the US economy is currently straining to recover from and the roots of the housing crisis, which Seth puts down to the prevalence of “flipping”. That is, people mortgaging their first home in order to buy a second home so they can sell it quickly for a profit. Drooker showed us his photos from a recent trip to Gaza, where he joined local communities in painting on the towering Israeli security wall that looms over their homes. With an electric banjo accompaniment, he also showed us wordless panels from his latest collaboration with the folks at City Lights on an illustrated version of Ginsberg’s Howl, as well as his latest wordless graphic novel, Blood Song.
For more, voila: Eric Drooker and Seth Tobocman‘s websites.
More from my upcoming non-fiction project on human trafficking in Eastern Europe. Stick “Borderland” in the apture search bar at the top of the page for more info, or hit previous twice to go back to the start of the story.
Hot off the drawing board, here’s a new piece from the upcoming Borderland comic I’ve been working on over the past year, turning the real-life testimonies of human trafficking victims from the Ukraine in partnership with Fulbright Fellow Olga Trusova. Comments, as always, very welcome. Especially on the spot colour.
More panels to come, as well as a good review and exciting update on the Honduran Coup comic. More regular updates will start back up again now that I’m nearing the summit of the mountain of pages needed to complete Borderland.
