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Just finishing up the last page of part 1 of my graphic novel, featuring the White Horse tavern in NYC. Click here for more of an intro to the project. The above panels continue on from the last post and feature a conversation between Harry and Kwame, two idealistic NYU students, about the effectiveness of art as a tool for political change.
In other world news, Zelaya’s “elected” replacement Porfirio Lobo Sosa has come out magnanimously to say he’s all for putting a vote to the Honduran people for a constituent assembly: “What’s the problem?” the Presidential stand-in is alleged to have said at a press conference in Tegucigalpa on Sept 29. Only the fact that you wouldn’t even be there had Zelaya not suggested that (and been ousted for it) in the first place. More on this most unconsciously ironic volte-face/gaff and the backstory behind it here. ALSO, you’ll be thrilled to know that the latest batch of comics has been dispatched to the printers ahead of this year’s Alternative Press Expo at the Concourse Exhibition Center in San Franciso on Oct 16 and 17. I’ll be there under the auspices of the Center for Cartoon Studies, so be sure to come by, say hi, and succumb to the seductive mercantile allure of owning your very own archcomix.
Where you'll find the Archcomix and CCS table at this year's APE
Click here to read this 2007 comic on mountain top removal from the start. Also, be sure to check out the updates to the Knight Project page and scroll down for news. Or order your hard copy of all my comics over at the store page. Support independent comics journalism today!
Panel 1: Order the book here More on its polemical background here.
Panel 2: More on Tony Judt, Noam Chomsky and Norman Finkelstein.
Panel 3: For more on the anti-semitic tract in this panel, go here.
Panel 4: Quote from RollCall, an online magazine.
Remember, there’s more Archcomix news below the fold.
Order your copy of the Honduran coup comic here.
Become a friend of Archcomix here.
An experimental vertical panel from my latest comic, which was published in full over at Religion Dispatches earlier this week. Please take the time to digg it by clicking here to get it to the top of the “politics” charts. Scroll down for news.
At last a full reply (at the very bottom of this post) from Chris Bryant, the Minister responsible for the Overseas Territories on the subject of the Chagossians’ right to return. To read my comic on the issue, go here. Meanwhile, Chris Ware, the visionary comics artist behind Jimmy Corrigan: the Smartest Kid on Earth is in the news for his recent prank cover art for the new Fortune 500 list, which is surprisingly pointed for a graphic novelist who usually steers clear of politics: here are two highlights, including Guantanamo prisoners and an ‘exploitation 
factory’. For the full story and the entire cover art, go here. As always, the piece has attracted its fair share of fans and critics, the latter of whom rails:
“My main objection is that this kind of smarmy, artsy-fartsy assertion of intellectual/political superiority only reaches the people who already know about and are convinced of corruption in the American economy. What’s the point if the people who need to make changes are only offended or don’t even “get it”? Mr. Ware would do better to donate half of what must be a lucrative income to charity, write letters, hold a sign up in front of a capitol building, and or spend his lunch hour serving in a soup kitchen.”
Interesting point, most deflated in my opinion by the flawed suggestions (let’s not even go into the ‘lucrative income’ part) for enacting grass-roots change, but it does beg the question: is laughter the goal of satire, even at the expense of informing a
viewer? It reminded me of a recent piece in the Guardian about the golden era of British TV satire, spearheaded by Spitting Image (see left for a quick intro to the show). Again though, this sort of entertainment could only appeal to those already familiar with the political hot topics of the day, and could arguably be said to only flatter the egos of the same people it sighted in its satirical crosshairs (see 4mins 10 secs). Can visual news media be informative/educational AND entertaining/humorous? Leave your comments/link suggestions below.
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Here’s the opening to my latest 3-page piece on the pro-Israel lobby in Washington – all of it should be up at Religion Dispatches in the next few days.
Sources: Panel 2: Attendance info from AIPAC’s website here, Clinton’s quote from the State Dept. website.
News, as ever, is below.
At last, the comics are now back from the printers and I’m glad to say they look great. They are currently being stuffed into envelopes and will be with those of you who ordered them next week. If you haven’t ordered one, then click on the button on the right-hand sidebar and do so immediately.
Now that the Honduran comic is at last completed, I’m re-focusing on my graphic novel, Hardhats, about the 1970 Hardhat riots and the parallels between the anti-war movements then and now. Click on the ‘Hardhats‘ tab at the top of the page for more info and to read an extract, which I’ll be adding more panels to over the next few months. You’ll also be able to check out all the research that’s going into the book and offer your comments and suggestions on what should or shouldn’t go in.
Big news this week in journalistic circles was the announcement that the Pulitzer prize for editorial cartooning has gone to an animator, the first time in history that the prize has gone to someone whose work only appears online. The judges went on to say “[Fiore’s] biting wit, extensive research and ability to distill complex issues set a high standard for an emerging form of commentary. Let’s hope this leaves the door open for other like-minded visual distillers of complex issues – certainly comics journalist Joe Sacco winning the Ridenhour Prize for investigative reporting is a similar step in the right direction.
At last, a sign that innovation and creative use of multimedia in visual journalism is being rewarded -not to mention, taken seriously- by the industry. The winner, Mark Fiore, has loads of free animations available to view over at his website, so check them out. Question is, how different are Mark’s animations to single-panel/editorial gag cartoons? Is their purpose to inform or entertain? Certainly they’ve managed to stir up their fair share of controversy. With the advent of the ipad, you’d think this sort of content would be embraced with open arms by the tech companies, but news came this week that Apple have blocked Mark’s ipad app on the grounds that:
“Applications may be rejected if they contain content or materials of any kind (text, graphics, images, photographs, sounds, etc.) that in Apple’s reasonable judgement may be found objectionable, for example, materials that may be considered obscene, pornographic, or defamatory.”
More on this story at the Columbia Journalism review. UPDATE: Looks like it won’t be long before Apple let Fiore’s app in after all, even though it took Steve Jobs himself to intervene.
The Danish paper Dagbladet Arbejderen (Daily Worker) is running a feature on the last three pages of my Honduran comic today, click here for this just-about-intelligible-enough translation courtesy of Google translate.
Roy Bourgeois, SOAW founder, at the NW Latin American Solidarity Conference on April 9
The Honduran comic made its printed debut at the NW Latin American Conference on Friday, where it was excitedly picked up by NGO leaders and activists from around the US, as well as by Archcomix hero Roy Bourgeois, founder of the School of the Americas Watch (see left). If you haven’t seen it already, check out the online documentary Father Roy: Inside the School of Assassins here. Thanks to Bruce Wilkinson for his support in organizing the event and getting me involved. A fundraiser in Washington DC to get more comics out to Honduras is also in the pipeline. I’ll keep you posted.
Now that I’m deep into the research stage of my upcoming comic on the Israeli lobby, I’ve been mulling over the creation of a visual database that would contextualize a number of seemingly disparate individuals (all of them influential and wealthy) within the various power-broking industries they belong to. A sort of yellow pages of power that would let readers see the connections between lobbying groups, political parties and multinationals on a personal level. Along the lines of transparency advocacy sites such as Open Secrets and Transparency International, but functioning at the level of the individual. With a sprinkling of interactivity thrown in for good measure. I’m delighted to say that the folks over at Muckety have beaten me to it – go there now (well, after you’ve read this, at least), enter a name into their search bar, and you’re instantly able to interactively explore their business, political and financial connections. Granted, it’s not an exhaustive directory, but it’s a fantastic tool for getting a sense of affiliations and influence.
Staying with that same goal of making websites easier to navigate and peruse information, you’ll notice I’ve re-organized this site’s pages to categorise the ever-expanding directory of comics into relevant topics, as well as added some new pages from recent projects. One of which is my recent collaboration with underground comics legend Harvey Pekar on a 55-page graphic history of Yiddish literature and culture. More about that on the Social Histories page.
