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RIP Harvey Pekar

Harvey Pekar, the legendary underground comics writer and creator of the American Splendor series, was found dead at his Cleveland home earlier today. Pekar was an uncompromising champion of the American everyman, most famously in his tirades on the David Letterman show (see clip, left) and candid disregard for celebritydom and its trappings. I was lucky enough to collaborate with Harvey earlier this year on one of his final projects, a history of Yiddish literature and culture, which will be out in the Fall. Go to the social histories page for more extracts of Yiddishland, and RIP one of comics’ true greats.

Update: Above are sample panels from Yiddishland. As you may have guessed, the site is currently undergoing a redesign and I’m still ironing out some kinks, with the help of Stanford CS student Alex Easton. Thanks Alex!

An evening with Eric Drooker and Seth Tobocman

Was what Nikil and I were treated to on Friday night, at Studio 40 in the mission. Both Eric Drooker and Seth Tobocman are comics art activists who have been in the game for more than a few decades now. Drooker has a long history of doing beautiful painted covers for the New Yorker (“undermining the mainstream”, as he calls it) while Tobocman is a self-professed radical who wears his politics very much on his sleeve.

Here’s a clip to give you a sense of what his performance was like.

Tobocman is also one of the founders of the political comics anthology World War 3 Illustrated, which will hopefully be running one of my pieces in their next issue.
His latest book, Understanding the Crash, uses his aggressive stenciling and arresting visuals to explain the economic flatline the US economy is currently straining to recover from and the roots of the housing crisis, which Seth puts down to the prevalence of “flipping”. That is, people mortgaging their first home in order to buy a second home so they can sell it quickly for a profit. Drooker showed us his photos from a recent trip to Gaza, where he joined local communities in painting on the towering Israeli security wall that looms over their homes. With an electric banjo accompaniment, he also showed us wordless panels from his latest collaboration with the folks at City Lights on an illustrated version of Ginsberg’s Howl, as well as his latest wordless graphic novel, Blood Song.

For more, voila: Eric Drooker and Seth Tobocman‘s websites.

More “Borderland” trafficking comics

More from my upcoming non-fiction project on human trafficking in Eastern Europe. Stick “Borderland” in the apture search bar at the top of the page for more info, or hit previous twice to go back to the start of the story.

More Borderland

As promised, the story continues. Hit “previous” for the start of the story, or stick “Borderland” in the Apture search bar at the top of the page for the full lowdown on the project, new page to be updated soon.

Russian lettering to be inserted into the roadside sign in the the first panel. Also, check out a over at the Comics Journal.

Exclusive Borderland Comics preview

Hot off the drawing board, here’s a new piece from the upcoming Borderland comic I’ve been working on over the past year, turning the real-life testimonies of human trafficking victims from the Ukraine in partnership with Fulbright Fellow Olga Trusova. Comments, as always, very welcome. Especially on the spot colour.

More panels to come, as well as a good review and exciting update on the Honduran Coup comic. More regular updates will start back up again now that I’m nearing the summit of the mountain of pages needed to complete Borderland.

Pika-Don and the Stanford Graphic Novel Project

img_05601Pika-Don (“Flash-boom” in Japanese, the name given to the atomic bomb blast), the fruit of the SGNP’s labours over the past 6 months, is finally back from the printers!

Feedback so far has been overwhelmingly positive, so here’s to us finding a home for it at a publisher soon. For more info on the SGNP and its incredible 2010 students, check out this video.

The Honduran Coup: one year on

For those of you who aren’t familiar with the back story to the coup in Honduras that happened a year ago today, here’s a short and sweet video synopsis for you. The music is “Innocence” by “Working for a Nuclear Free City” off their “Businessmen and Ghosts” album.

Please digg/tweet/FB/fwd the link on and here’s to the ongoing struggle for justice that rages on in the face of continued repression.

The Torture Papers

More for Torture Awareness Month: Just when the US’s “checkered” (read: conspicuous) history of using “coercive techniques” (read: torture) to protect national security in the wake of 9/11 had your constitutional spidey-senses collectively tingling, recently published evidence suggests that government agents went even further. Physicians for Human Rights are behind a mini-site called “The Torture Papers”, which claim that “CIA medical personnel allegedly engaged in the crime of illegal experimentation after 9/11, in addition to the previously disclosed crime of torture.” Their goal? To make the process as effective and invisible as possible.  Apparently the scope they’d been afforded by the Torture Memos wasn’t broad enough. That is, that in order to constitute torture, the pain suffered must be:

“equivalent in intensity to the pain accompanying serious physical injury, such as organ failure, impairment of bodily function, or even death.”

Read the full memos for yourself below.

Final AIPAC panels

Panel 1: Obama quote from NPR
Panel 8: Kessler appears in this video of the recent AIPAC 2010 Student summit at 3:56:

Knight Fellowship 2.0, Torture Awareness Month

It’s nose to the grindstone time at Archcomix HQ (temporarily based out of Ithaca, NY for the next 2 weeks), as I’m fighting to reach my daily goal of 1.5 pages of Borderland (my human trafficking comic), inked and penciled. So far, so good – even managed to get some done in Detroit airport at 6 in the morning. Just finishing a story about a worker who was kept enslaved at a Polish bakery and about to move on to a construction worker who was treated like an animal in one of Moscow’s most prestigious patches of real estate.

On a more upbeat note, my Knight Fellowship for 2010 is now only a summer away, so I thought I’d shed a little more light on the program and give you a chance to see what previous fellows spent their year working on.

June is Torture Awareness Month, so at the very least you can check out this video from the National Religious Campaign Against Torture. (Yes, even if you’re a devout pagan). Here’s a good place to start if you’re new to the US’s private use and public condemnation of torture. As for the discrepancy over why the debate over torture continues to preclude taking any actual steps to end it, check out this article from Slate on Maher Arar, best summarised by this quote:

Each time an American court declines to address this issue because it’s novel, or complicated, or a matter best left to the elected branches, it reaffirms yet again that there is no precedent for doing justice in torture cases. By declining to find torture impermissible, they are helping to make it acceptable…Given that [torture is illegal], he wondered, why was the majority of the panel searching high and low for some diplomatic, national security, or supersecret policy reason to defer to the other two branches of government to set the parameters of U.S. torture policy. There is no U.S. torture policy. We don’t torture. So why are the courts leaving it to Congress to set its boundaries?

Which is all the more interesting in light of Ex-VP Dick Cheney’s comments from last year on Fox News, as reported by the NYTimes:

“I knew about the waterboarding, not specifically in any one particular case, but as a general policy that we had approved,” said Mr. Cheney, who noted that neither a gun nor a drill had actually been used on detainees. “The fact of the matter is the Justice Department reviewed all those allegations several years ago…

…The judgment was made then that there wasn’t anything that was improper or illegal”

You have to love that relative clause in the first sentence. Move over Jack Bauer, Fox has a new all-american hero re-writing its constitution.

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