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I wanted to share my latest comic on human trafficking with you, published this morning on Truthout.org: http://www.truthout.org/human-trafficking/1329157025. The print version will be included in the latest issue of the SF public press, which hits the bay area streets today. Please give it some social media love!
Behold! The first glimpse of final artwork for my Alcatraz comic, based on the abortive escape attempt made my John Giles in 1945. Soon to be published by the National Park Conservancy Trust and available in Alcatraz, as well as through their (and my) online store, date tba. If you can’t wait for a hard copy, I’m previewing pages on the locked part of this site – though you’ll need to subscribe to the Archcomix Newsletter (which you can do here) to get the top secret password.
Now that’s over, I’m already headfirst into my comics project on human trafficking in San Francisco, parts of which will be published by the SF Public Press and Truthout. The SF Public Press is funding the publication through journalism crowdsourcing site spot.us, so click here and support investigative comics journalism. Only 6 days left!
Lots of other news and announcements to share with you below the fold, so scroll down for the full skinny.
To read from the start of this harrowing true story about one man’s wrongful incarceration on death row, click here.
Ray Krone’s tragic true story continues. To read from the start, hit “previous” twice won’t you.
Extract from my latest comic on the wrongful conviction of Ray Krone, who spent several years on death row for murder before being acquitted. To read the whole preview in page by page format, sign up for the latest Archcomix newsletter.
I’m back, after an extended hiatus in south america (sketchbook pages and an interview to follow) and a blistering sprint finish with several different pre-xmas deadlines before that. One of which was a short story featuring the snippet of panels above, chronicling miscarriages of justice in the american legal system. Another, out next week, is a second interactive piece for cartoon movement. More about it in the “news” section, just a scroll away, down below the fold.
Work on Alcatraz continues as I near the finish line, now that I’m well into colouring the inked pages. You’ll have to check out the “Extras” page from the tabs above for a glimpse of the finished pages as they come off my drawing board – but for that, you’ll need to get the passcode, which you can only get from the latest edition of the Archcomix newsletter (next one drops on Monday). Simple.
All this and I haven’t even mentioned my next big project, focusing on human trafficking in SF. I’m currently researching and doing interviews, and should have something for you in a few weeks. I’ll post separately about it soon.
Head over to the Marketplace site to get the lowdown on each of the GOP contenders vying for Presidential glory next year – accompanied by a Gerald Scarfe-esque caricature done by yours truly.
In the build-up to a bumper deadline December, it’s been all hands on deck at Archcomix HQ, as the inked bristol slowly piles up on my desk. So as a taster to hold you over until next month when I can reveal what I’ve been up to, here’s a pencil (run through an iphone filter) of John Giles, the (anti)hero of my Alcatraz comic for the National Parks Conservancy Trust. See the Alcatraz page for more details. If you’re interested in how the pencils turn miraculously into inks, then check out my new time-lapse video on you tube by scrolling down (new users to the site: news is below the “fold”, under this here header announcement, and free comics are accessible through the drop-down menus above and via the buttons in the sidebar to the right).
I’ve also added some recent sketches to my flickr stream – check them out and follow my photostream here. And just in time for the festive season, check out my prints section and order some original artwork for the art lover/comic artist/discerning aesthete in your life – all come signed (with dedications optional).
Last weekend I was invited to talk on the process behind my 50+ page collaboration with the late, great Harvey Pekar on Yiddishkeit, a comics anthology that collects and celebrates the forgotten gems of Yiddish culture, published by Abrams Comics Arts in September (from which the above pages is taken). Many thanks to Paul Buhle for organizing the event, and for fostering my involvement in the project from the outset! Paul is a one-man non-fiction comics powerhouse, responsible for other comics histories covering topics as diverse as the history of the SDS, The Beats, Studs Terkel’s Working and Howard Zinn’s A People’s History of American Empire. I had no idea about the historical connection between Yiddish and marxism in the early twentieth century – Paul’s reasons for initially studying the language and its literature in the first place was to gain access to the wealth of material on working class movements in the US, which were predominantly written in yiddish. If such things pique your curiosity, then I recommend “the unrepentant marxist” blog, which features one of the most insightful reviews of Yiddishkeit out there.
If you scroll down to the “news” section of this site, you can watch a very brief video (you’ll need to pause it, as each slide only pings up for a few seconds in the “convert to movie” mode of powerpoint) that’ll give you a visual journey of the process I went through in turning Harvey’s script into print-ready comics pages. Plus some other Kickstarter-based drives to honour the beloved everyman of comics. Here are just a few of Harvey’s handwritten script pages, so you can see what I started with. I especially love the “jewish man” and “horse” labels on the last page.
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That’s right, my comics interviews with various partipants in Occupy Oakland is now live at Yes! Magazine. Check out their slideshow here, or enjoy the fully interactive version here.
That not enough for you? Then you’ll want to peruse the latest pencilled pages from my current hush-hush project, now uploaded to the “Extras” section. Don’t know the password? For that you’ll have to subscribe to my newsletter. Them’s the breaks.
